He loved hard contrasts. White whites and black blacks: a fair, comfortable way to sort things and people. Good from evil, nice from ugly, day from night... Oh, he could go on for ages. Away from dubious shades and fuzzy greys, a neat, clear cut between the glorious clarity of harsh sunlight and the darkness of deep shadow.
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Here starts, with ginormous delay, the fourth fortnight of stories.
With the Nikon Nikkor 50mm f:1,4G
