𝐏𝐡𝐨𝐭𝐨𝐠𝐫𝐚𝐩𝐡𝐲 𝐐𝐮𝐨𝐭𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐖𝐞𝐞𝐤:❝ If you want to be a better photographer, stand in front of more interesting stuff. ❞ 𒆜 Jim Richardson
THIS CHALLENGEis open to everyone. Once you have taken 30 or more photos the flashback link will appear in the box below "View this month" under "Photo Details" on your page. Hopefully, as we go back in time we will see that our photography skills have improved and maybe even have a laugh or two at what we once thought was good enough to post.
ABOUT POSTING: As long as it is Friday somewhere in the world you can post. Or if you would like you can wait until it is Friday where you live, that is fine too.
HOW DOES IT WORK?Click the Flashback View link and it will take you to one of your past photos.
USE THE FIRSTimage it gives you, even if you aren't too fond of it! That way we can see how much you have progressed in your photography skills while on the Project.
TO SHARE: Underneath your photo is a curved arrow to the right (➦). Click on the arrow and there will be an "Embed Code". Copy the code then paste it in the comment box below adding any comments if you wish to do so.
THANK YOUfor participating. I hope that looking back stirs fond memories of bygone days on your photography journey.
This needs to be explained: For this week's Get pushed challenge Annie D @annied asked me to make a high key image, which has turned out to be an abstract.
What you see is a row of windows. The camera is angled in such a way that the actual windows are obscured by their recesses. Although the light, interior and exterior, is allowed to play across the wall, the verticals have been topped and tailed, removing reliable spatial clues and questioning the two/three-dimensional reality. Well, that's one way of looking at it. Or it's some pretty stripes.
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This needs to be explained: For this week's Get pushed challenge Annie D @annied asked me to make a high key image, which has turned out to be an abstract.
What you see is a row of windows. The camera is angled in such a way that the actual windows are obscured by their recesses. Although the light, interior and exterior, is allowed to play across the wall, the verticals have been topped and tailed, removing reliable spatial clues and questioning the two/three-dimensional reality. Well, that's one way of looking at it. Or it's some pretty stripes.
July 2018